Into a Strange Land – Free on Jan 26-27 for Kindle

Into a Strange Land is the first book of The McGunnegal Chronicles series. 

Just in case you haven’t read the book yet, here’s a quick peek…

It’s 1846. Ireland is starving under the Great Hunger. Colleen McGunnegal and her cousin, Frederick, discover that her great grandfather has been hiding a secret in the potato cellar – a relic from a lost age of Ireland. They fall into this relic and find themselves in the Land of the Others – the place where all the legends began, and where the creatures of those legends live on. Grand adventures spill through the pages, carrying the reader from the imagination to the heart.

There are three books in the series so far, and from January 26-27, 2015, the first book will be available on Kindle for free!

Hope you all enjoy these tales!

I’m working on Book #4!

Ben Anderson


On Goblins


Goblins haunt many legends around the world, but particularly those of Europe. England, Germany, France, Estonia, The Netherlands, Moldavia, Greece, Bulgaria, Serbia, Anatolia and Wales all have tales of Goblins. Other cultures also have stories of goblin-like creatures.[i]

There are fairy tales, legends and stories about Goblins that run all through European history, going back a thousand years, and even appearing in our own lifetimes. Even such notable tales such as Pilgrim’s Progress mention these creatures.

One wonders where all these tales came from. Was there a common source long ago? If any readers have theories, I’d love to hear them.


There is a good deal of art, paintings (such as Roland J. Ford’s painting here), and sculptures that portray goblins, and there are landmarks, caves and mountains in various places that bear the name or are steeped in goblin tales. For example:

The tale of the Pyrenees Mountains is particular interesting. It is said that in pagan times, monstrous creatures lived in the forests and mountains of southern France, particularly in Vallespir, a region of Northern Catalonia.

One legend that comes to us from the tenth century, before the Great Schism of Eastern and Western Christianity, speaks of these “Simiots,” or “goblin monkeys” terrorizing the small town of Arles-sur-Tech. The abbot of Arles, Arnulfe, felt that the reason for this invasion of goblins was the sinfulness of the villagers, and felt that if they only possessed the relics of a Saint, that this would balance out their sins and put an end to the problem.

Journeying to Rome, he acquired the relics of Saints Abdon and Sennen, Persian saints who had been eaten by lions in the Roman Arena. Once the relics arrived in the town, the invasion of the Simiots ceased. The bones of the saints were stored in “La Sainte Tombe”, and this tomb has run with pure water ever since. Once a year, monks continue to siphon out the water with a silver pump for pilgrims.


Above is a picture of La Sainte Tombe.

It is curious that this region of southern France and northern Spain is home to a number of legendary creatures other than goblins. For example, Montmajour Abbey, located in the region of Province in southern France, has a carving of a tarasque devouring a man. It is dated from the twelfth century. The tarasque was said to be a dragon-like creature that defeated both knights and catapults when the king of Nerluc attacked it. However, Saint Martha went to the beast and charmed it with hymns and prayers. She led it tamely back to the city, where the people, fearful of it, attacked it as it drew near. It offered no resistance and died. Martha then preached to the people and converted them to Christianity. The people, sorrowful that they had slain the tamed creature, changed the name of their town to Tarascon.

Below is a picture of the carving of the tarasque.


What gave rise to such legends? Perhaps we can only speculate. But something happened a thousand years ago that was terribly traumatic to the local population, and we now have churches and holy sites that keep such memories alive.

But let’s get back to goblins. Along with the tales of evil goblins (such as the Irish Pooka) are tales of “good” goblins as well. For example, the Gesta Romanorum, a Latin collection of stories from the late 13th or early 14th centuries that comes to us from England bears a tale called The Benevolent Goblin. These, however, seem to be rare.

In The McGunnegal Chronicles, the goblin peoples were not always evil. Something dreadful happened to their world, and the Great Worm turned what had once been a beautiful people into dark and hateful creatures. They bathe in and drink “the ooze,” a stinking black slimy liquid, and their bodies are often covered with the worms that inhabit the ooze. They believe that this ooze gives them eternal life, but it, in fact, slowly drains away their life.

However, there is one good goblin that Colleen McGunnegal encounters in her adventures, and her names is Evchi. She is a hermit, living in the desert, and by the time Colleen meets her, she has been out there for forty-seven years. She is nearly free of the ooze and its worms, and has returned to the former beauty of the ancient goblin peoples.

Nous, another goblin that Colleen saved, and who is travelling with her, is fascinated by this good goblin. He spends long hours talking to her, and in the end wants to be like her, although he is disfigured and covered in the ooze worms. His personal journey through the books is not your typical “coming of age” story – it is a journey transformation from his old view of life to something radically different.

Nous is an important character in The McGunnegal Chronicles books, and something remarkable happens to him in the end. I won’t spoil the story by telling.

There will be more goblins throughout The McGunnegal Chronicles books, and readers can expect an intertwining of the old tales that have come down to us with new adventures and challenges for Colleen and Frederick.

Happy reading!



On Dwarves

Dwarves are a curious folk in mythology, and have even more curious roles that they play. They are said to have made some of the most significant magical items (such as Odin’s spear and Thor’s hammer), and so played significant roles in the outcomes of battles and intrigues among the Germanic gods and other beings. The influence of dwarvish tales on our modern society has largely been forgotten, even though some of their very names still linger on.

In the Norse creation myth, for example, after the earth, sea, hills, plants, heavens, Midgard (middle earth), and the clouds were created, the gods stationed four strong dwarfs (or dwarves, as popularized by Tolkien) named Nordri, Sudri, Austri, and Westri at the four corners of the heavenly vault to support it on their shoulders. From these we have received the four points on the compass, North, South, East and West, as we now call them.[1]

The dwarves of the general variety in Norse mythology were originally maggot-like beings, who were summoned into the presence of the gods and endowed with intelligence. These new creatures were then divided into two classes – those who were dark, treacherous, and cunning (dwarves, trolls, gnomes and kobolds) and those that were fair, good and useful (fairies and elves). The former were consigned to live underground in Svart-alfa-heim (the home of the black dwarves), and would be turned to stone if exposed to sunlight. The latter dwelt in the realm of Alf-heim, between heaven and earth.

Thus, at least in the earliest tales, the dwarves were considered to be in the same class as the other creatures of the night, and this may help explain another piece of old trivia. Allow me to go off on a little tangent here about the curiosities of the medical practices of some thousand years ago. There seems to have been, in the Anglo-Saxon tradition, the use of “metrical charms” to heal maladies and diseases, or to deliver from bad situations. These seem to have been a combination of prayers, sayings, verses, invocations and herbal remedies. Mingled within some of these remedies seem to be old cultural memories – old idioms and words that harken back to a pre-Christian era when belief in the old gods and the creatures of legend was the stuff of everyday life.

That brings us back to the dwarves being creatures of the dark. One of these charms, called “Against a Dwarf,” seems to be a remedy for sleeping disorders, and may associate dwarves with a sort of night demon, perhaps similar to the “mare” in “nightmare”[2]. The reason some think this to be so is because this particular charm mentions both a horse and the “Seven Sleepers of Ephesus,” which is a story that is found in early Christian tradition. There are Orthodox Christian icons that depict these “holy youths” (commemorated on Oct. 22) and their tale can be readily found and read on Orthodox websites (notably without any mention of dwarves, by the way). Anyway, this particular remedy calls for the names of the Seven Sleepers to be inscribed on seven “wafers such as one might offer” (I wonder if this harkens back to a tradition of offering wafers/loaves for Communion purposes, or perhaps to the seven loaves mentioned in Matthew 15:36?), and these were hung around the neck of the afflicted person by a virgin for three days. The Christian themes in this remedy are obvious and apparent, but there is also a rhyme[3] that is chanted three times that seems obscure, and may harken back to those earlier pre-Christian days when things like nightmares were thought to be caused by supernatural causes – like dwarves.

It would be a curious thing to be able to trace these riddles and rhymes back through the centuries to see where they all began, and where the dwarf came into the picture. The etymology of the word “dwarf” seems to be shrouded in mystery, and there are various theories about its origins.

There are, of course, other traditions about dwarves. Disney popularized the tale of the Seven Dwarfs back in 1937, giving them cute names that children would enjoy, but the tale did not start with Disney, and was recorded by the Brothers Grimm in 1812, which itself was an adaptation of an earlier play called “Little Snowdrop” (1731).

Tolkien greatly popularized dwarves in his wonderful tales of The Hobbit, the Lord of the Rings series, and The Silmarillion, and while these dwarves lived largely underground, they did not shun the sun as did goblins and orcs, nor did they turn to stone as did the trolls in Tolkien’s tales.

In the legends of Europe, there were mountain dwarves (the most magical), mine-dwelling dwarves (the most spiteful), and even dwarves that assisted men with agricultural pursuits (such as the Swiss dwarves).[4] There was also a curious newspaper article in the Morpeth Gazette in 1889 about a race of rather ugly dwarfs known as the Simonside Dwarfs who occupied the Simonside Hills of Northumberland in northern England. These mischievous dwarves delighted in leading people astray, particularly at night, sometimes carrying torches to lead the unwary into bogs.

So, the dwarven folk of legend are varied and complicated, some being good and some bad, some magical and some menial, and they appear in most Germanic/Nordic/Anglo-Saxon mythologies to one extent or another.

One last note. In The McGunnegal Chronicles, I’ve tried to adapt various world legends about dwarves, hinting at a number of old tales. Don’t be surprised if the Simonside Dwarfs show up in the fourth book, getting stirred up after many years of hiding. It is 1846, after all, and in just 43 years the newspaper will be reporting on them.

In this fourth volume, Colleen and Frederick also go to the land of the Dwarves in pursuit of Colleen’s grandfather, and find that it has fallen into a fractured state of disbelief, where the old ways have largely been forgotten, and the old dwarven magics neglected in favor of inventions. There, in the deepest realm – at the very heart of their world – the great gift that was given to the Dwarven people has been taken by … well, I won’t give it away. But I promise lots of adventure, new monsters, forays into the worlds of fairy tales, and new discoveries for Colleen, Frederick and all of The McGunnegals. The tentative title for this books is World of Unreason.



[1] Guerber, H. A., Myths of the Norsemen From the Eddas and Sagas.

[2] Lewis, Matthew C. G. (thesis) (2005), Dreaming of Dwarves: Anglo-Saxon Dream Theory, Nightmares, and the Wið Dweorh Charm, University of Georgia

[3], p. 39.



The Tollund Man


Who is this man who lies in such tortured serenity?
A saint? A thief? An unlucky soul?
His face, a mix of peace and pain.
Do his thoughts still linger, etched in those lines of care,
Kept safe in the long memory of the bog?
The noose whispers only rumor,
His nakedness gives only pause,
His hat and belt, strange, perplexing questions.
Those who knew him are gone, but he remains,
And his countenance draws the eyes,
Stills the mind, and makes one stare in silent wonder.

— Ben Anderson


Picture Credits

I think that the Tollund Man may make his way into The McGunnegal Chronicles one day.

The Hall of Sindri – A Mirror for the Soul

From Into a Strange Land – Book 1 of The McGunnegal Chronicles:

For several long moments, they stood in awe, gawking at the gigantic room they had entered, whose golden walls arched upward to form a great red-gold domed ceiling that was crammed with crystals of every color, some as thin as hair, and others huge and jutting from the ceiling like great spikes. All were shining, radiating brilliant light that filled the cavern with a multitude of rainbows. The floor was gold as well, and every inch of the room was so perfectly polished that it reflected everything around them as if they were surrounded by mirrors, or perhaps were inside a mirror. The effect was to make everything seem to stretch outward forever and ever, the light and gold and rainbows going on and on until it went beyond their vision.

“Behold the Crystal Cavern – the Hall of Sindri!” he cried.

In this scene, Colleen, Frederick, the Wigglepox family (Leprechauns), Doc (Sindri) the dwarf, and Dvalenn (the sleeping dwarf) go into a huge, marvelous hall of red gold whose ceiling is covered in magic gems that shine with and unending cascade of rainbows. This is the Hall of Sindri, made by the dwarf, Sindri, over a period of thousands of years.

In Norse mythology, the Hall of Sindri is a golden hall in which the good and righteous will dwell after Ragnarök. But when Colleen and Frederick encounter it in The McGunnegal Chronicles, it is not yet a dwelling place of the righteous, but a place where one can truly see the truth of one’s self. Its golden walls are like mirrors for the soul, refracting it like a prism, and showing all of its subtleties, devices and passions.

Frederick looks deeply, and suddenly sees a part of himself that he does not want to face:

Frederick paused, looking at the image of himself before him. He stared for a moment, and suddenly it was no longer just a reflection of his body, but a darker image. Its greedy eyes darted back and forth to the gems around it. It smiled malevolently, reaching out to grab one of the glowing stones. Frederick shut his eyes.

“You see?” asked Doc.

“I don’t like looking at myself like that. I’d rather not even see that stuff,” said Frederick.

“None of us do,” replied Doc. “But the real power of the room can only be experienced once you face who you truly are. If one just dares to stand and face himself, then the power becomes available to do something about it. Until then, the room holds no power for that person.”

In Orthodox spirituality, being honest with oneself about oneself is of first importance. Still, at times we cannot see our own faults, and we need help to see the subtleness of our own heart.

Jeremiah lamented, “The heart is deceitful above all things, and desperately wicked: who can know it?” (Jer. 17:9), and the Psalmist prayed, “Search me oh God, and know my heart: try me, and know my thoughts: And see if there by any wicked way in me, and lead me in the way everlasting.” (Ps. 139:23-24).

Even the greatest of the Saints recognized this need to repent of our duplicity and distractions and come singly before God with a pure heart. St. Isaac the Syrian prayed, “At the door of Your compassion do I knock, Lord; send aid to my scattered impulses which are intoxicated with the multitude of the passions and the power of darkness. You can see my sores hidden within me: stir up contrition—though not corresponding to the weight of my sins, for if I receive full awareness of the extent of my sins, Lord, my soul would be consumed by the bitter pain from them. Assist my feeble stirrings on the path to true repentance, and may I find alleviation from the vehemence of sins through the contrition that comes of Your gift, for without the power of Your grace I am quite unable to enter within myself, become aware of my stains, and so, at the sight of them be able to be still from great distraction.”

As the golden walls of the Hall of Sindri let Frederick see his hidden self, so we often need help to untangle the ball of yarn that is our inner self. We need a spiritual father or mother. We need the angels. We need the saints. We need the mother of God. We need each other’s prayers and compassion. We need the Mysteries of the Church and her ascetical practices. We need the Scriptures. We need the Cross. And oh, how we need God. With such mighty help we can stand before the mirror and honestly take stock of who we are. As the layers of the onion are peeled away, and the doors of repentance swing open, God will give us the grace we need to walk through.

Somewhere deep inside is the true self, the person created in the image and likeness of God, that person who longs for all that is good and holy, and for union with God himself. All else is nothing but a tangled web of passions that serves only to blind us and distract us from who we really are in Christ, the One who became like us so that we could become like Him.

Aonghus – Man of Excellent Strength

In The McGunnegal Chronicles, one of the characters is named Aonghus. He is a powerful young man, of unmatched strength (except by his father, Adol). His name comes from aon, meaning “excellent” and gus, meaning “strength, vigor.”

His prowess is glimpsed and hinted at in the first three books of the series, but will continue to be revealed in future books. Once, when he stands before a dead, but living king of the past (I won’t give away who that is), the king says to him, “I perceive that you have the strength of giants in your blood,” a hint at the full extent of the McGunnegal strangeness that keeps showing up through the stories.

There was another man of great strength – spiritual strength that is, named Aonghus (although today his name is generally spelled Angus, Aengus, or Oengus), a saint to lived in the late eighth to early ninth centuries – St. Angus of Keld, whose feast day is March 11. The beautifully inscribed Celtic crosses and manuscripts that have come to us are attributed to his monastic movement. He was a bishop, abbot and hermit, and miracles are attributed to him.

One such miracle occurred when he was chopping wood in the forest and he accidentally cut off his own left hand. The account says that birds filled the sky, crying out at his injury, but the Saint simply picked up his own severed hand and replaced it, and it was immediately healed.

He also performed amazing feats of asceticism, including 300 genuflections and reciting the Psalter every day, part of it standing in cold water and tied by the neck to a stake.

Some wonder why the Saints did such things as this. Were they trying to punish themselves, or gain merits? No, in the mind of the early Church (and in the teaching of the Orthodox Church today), ascetic practices were means to a greater end – disciplines that pushed away and calmed the passions and made room for God. While most of us may never stand in freezing water reciting the Psalter, we can still draw near to God through the prescribed disciplines of the Church, particularly during this time of year. Fasting, prayer, almsgiving, confession, etc. are the ascetic means of discipline whereby we seek to open our hearts a little wider to God and love our fellow man more.

We may not live in a monastery or hermitage as St. Angus did, but, as Archimandrite Vassilios Papavassiliou says in his book, Thirty Steps to Heaven: The Ladder of Divine Ascent for All Walks of Life, we can each have a little monastery in our heart where we can retreat to find solitude and strength amid the troubles and temptations of life.

While we are given a little more time to undertake a few of these spiritual disciplines in greater measure, may we remember the troparia that accompanies us during Great Lent:

Open to me the gates of repentance, O Giver of Life,
For my spirit rises early to pray towards thy holy temple.
Bearing the temple of my body all defiled;
But in Thy compassion, purify me by the loving kindness of Thy mercy.

Lead me on the paths of salvation, O Mother of God,
For I have profaned my soul with shameful sins,
and have wasted my life in laziness.
But by your intercessions, deliver me from all impurity.

When I think of the many evil things I have done, wretch that I am,
I tremble at the fearful day of judgement.
But trusting in Thy living kindness, like David I cry to Thee:
Have mercy on me, O God, according to Thy great mercy.

Through the prayers of St. Angus and of all the saints, Lord Jesus Christ our God have mercy on us and save us. Amen.


The Great Song in The McGunnegal Chronicles

The Great Song in The McGunnegal Chronicles

Job 38:4,7 – “Where were you when … the morning stars sang together… ?”

Rom 8:22 – “For we know that the whole creation groans…”

This past September I was hiking in the Rocky Mountains. We were on a week-long backpacking trip in the Wind River Range, and some days into the backcountry, we climbed to around 12,000 feet and spent the night next to the remnant of a glacier. The sky that night was brilliantly clear, and the Milky Way stretched over our heads from horizon to horizon. Shooting stars fell from the sky as we gazed into the heavens. All was still, and the canopy of stars was so deep that I felt as though I might lose myself in its magical depths. But in that great well of heaven a vast symphony was being played. In the silence, all creation was singing. Every star chanted its part, the spiral arm sang its collective praise, the dark mountains framing the horizon added their voices, and every stone and scrub and little creature around us murmured its part. There on that mountain I joined in too. All was at peace.

King David must have had such experiences tending his father’s sheep as a young man. In Psalm 19:1-3 he said, “The heavens declare the glory of God; and the firmament shows His handiwork. Day unto day utters speech, and night unto night reveals knowledge. There is no speech nor language where their voice is not heard.”

Each of us have had those kinds of experiences. They are unforgettable moments.

In The McGunnegal Chronicles, both Colleen and Frederick from time to time taste such wonders, but each in different ways. Colleen has a gift of sight and hearing that goes beyond the physical – she can see beyond the surface, and hear what can’t be heard by physical ears.

In chapter 5 of Taming the Goblin (book 2 of The McGunnegal Chronicles), they are with the Lady Danu (the Lady of the Lake). The Lady is speaking with Colleen about the creation, and the song that it sings, and she asks Colleen a question:

* * *

“I would like you to do something for me, Colleen. Look around. What do you see?” she asked.

“I see the sun shining on the lake. It’s like a thousand pieces of light dancing in the wind,” Colleen replied.

“Yes,” she said. “The wind on the water is like a symphony. Every dancing ripple in the sunlight sings to me. It so reminds me of the First Day. Do you think you can sing with it?”

“Sing with it?” Colleen asked. “How would I do that?”

“Look and listen to the music all around you, child. A symphony surrounds us of all there is to see. The orchestra of nature plays unendingly. The whisper of the wind, the roar of the sea, the silence of a meadow, the songbird’s harmony – yet so often, people fail to see its beauty and the truth it so clearly declares. It reflects the Maker himself, in a way. But also, in this land, there are many ancient spirits – in the trees, in the lake, in the rocks, in the mountains and meadows. As the tale that I sang to you tells, they came long, long ago when this world was young, and they are still here, although so many now slumber beneath the Spell. But you, Colleen, may be able to awaken them,” she replied.

“Do you mean that I could make the water stir like Leleuma did?” she asked, amazed.

The Lady smiled. “There is more to you than you know,” she said. “Was it not your song that got you here through the sleeping forest, even though the Spell is so terribly strong around this place? Come, now, listen to the music of the Lake and sing with it. Open your heart to what it says.”

Colleen gazed out over the shining waters and tried hard to listen. Gradually, her mind grew quiet, and it seemed as though some great peace filled her. There were no thoughts at all in her mind, only the peace. In that moment, it seemed that all was at peace around the Lake, although it was like an island in some great storm.

She sensed that all about the Lake the Spell of the Court Witch was at work, pressing its terrible weight upon the forest, causing the last vestiges of its strength to slip away into a fitful sleepiness, and a great weariness lay from horizon to horizon. But the Lake stood free of it, a refuge and a fortress untouched by that weight, although the Spell strove against the Lake like a raging sea against a lighthouse on a granite cliff.

Then it was as though she saw something more. It was only a glimpse, but just for a moment, she saw deeper than her eyes alone could see. Beyond the water, beyond the shoreline, beyond the trees, she saw… saw… But no, she could not describe it. No thought seemed fitting for it. It was something that she perceived not with her physical senses, but with another sense, that, for a moment, awoke within her.

It was not the scores of little people that she glimpsed who lay sleeping amid fitful dreams beneath root and trunk in the dreadful night of the Spell. Nor was it the hidden spirits that dwelt in many of these things that now transfixed her, although she saw these too – those creatures of another time and place that had come to dwell within these things and made them their homes so long, long ago. No, this was even deeper than them, for it encompassed those spirits as well. It was like a song, although it was not with her ears that she was now hearing it. The forest sang it as well, and its part was deep and sad, and had sunken to a whisper, as though it longed to be released from its deepening slumber.

Now, she saw her own place in that song – the part that she was to sing in it. If she could just stay within that part, and seek nothing beyond it, desire no more than her given portion, and yet let none of her responsibility within it to slip, all would be well. She could see how the Spell strove against the Song and sought to dominate and control it. It was like a noise that rose to drown out the sweetness of the music so that none could hear it and would grow weary under its constant clatter.

* * *

Each thing in God’s creation has its place and purpose, each its own created essence, and particularly each of us humans, created in the image and likeness of God. Each has his or her portion in the Great Song of life.

When we live contrary to the Gospel, our actions are like a discord in the Song that all creation is intended to sing. Perhaps it is like sitting at 12000 feet under the great cathedral of the heavens, listening to the awesome silence, gazing into the depths of eternity, and suddenly pulling out an accordion, kazoo and tambourine and marching loudly about banging and clanging. The discord just doesn’t fit.

In The McGunnegal Chronicles, it is the Spell that causes the discord, bringing a sleep of nightmares that never ends, and causing the forest to groan under its weight. But the Spell is artificial, a thing cast upon the woods and its people, an aberration, not something natural to the Land of the Little People.

St. Maximos the Confessor said, “Evil is not to be imputed to the essence of created beings, but to their erroneous and mindless motivation.” Sin isn’t natural to us, and creation groans a little more every time we commit sin. We were meant to sing in harmony, not only with all creation, but to also contemplate the Divine Trinity, and sing with the infinitely greater richness of the uncreated song of God’s divine energies.

When we live our lives in accordance with the Great Song of the God, then we’re in tune with all that is good.